In the same vein as its predecessor, Kingsman: The Gloden Circle is an outlandish spy movie full of plot twists and zany gadgets.
Taking place about a year after the events of the first film, Kingsman follows the English Secret Service agent Eggsy (Taron Egerton) as he, once again, must save the world from complete destruction. This time around, Eggsy must team up with an American spy organization known as the Statesman, led by Champagne (Jeff Bridges) and Jack Daniels (Pedro Pascal). Together, they must work to stop the new supervillain of the week Poppy Adams (Julianne Moore), a criminal mastermind that specializes in illicit drugs.
Kingsman is one of those movies that thinks it needs to be two and a half hours long. So, in a feeble attempt to buffer its runtime, the film overcompensates and tacks on too many subplots. The ensemble of characters, sets, and plot devices felt very long-winded, and a bit overwhelming. It would’ve served the audience much better if the filmmakers cut the fat away and focused on creating a more condensed movie.
Even the action scenes, which were used somewhat sparingly in the first Kingsman, felt unnecessarily bloated here. The opening scene cuts right into a ten-minute car chase sequence that I believe jumped the gun. The action was highly stylized, with very fluid camerawork and choreography that made the fight scenes mesmerizing to watch. It was only when they dragged these parts out that they became tedious and mundane.
The entire cast, old and new, had so much fun with this film that I couldn’t help but do the same. The energy and excitement in the performances elevated some possibly underwritten characters to new heights.
The humorous nature of Kingsman is still alive and well here in the sequel. With situations and moments that are so unusual that you wouldn’t expect them from other more reasonably grounded films. One of the more comical aspects of Kingsman was the inclusion of Elton John (a rather peculiar celebrity cameo) as a minor character, who takes part in the action-packed climatic showdown.
Kingsman: The Golden Circle is most enjoyable when you cease to take the film seriously. It teeters between nonsensical and extravagantly excessive, in this little unique world of spies that it has built itself. Kingsman isn’t high art, nor is it trying to be. It knows its core audience, and will deliver plenty of enjoyment to those who liked Kingsman: The Secret Service.
The Verdict: B+