For the past couple of decades or so, the genre of horror has become somewhat of a minefield. With the film industry so over saturated with overdone plots and jump scares, the clever and inventive movies often slip through the cracks in the form of independent productions. Films like It Follows and Tucker and Dale vs. Evil received little attention upon their initial release, while films like Paranormal Activity maintain constant popularity.
Nonetheless, occasionally moviegoers get a widely released horror flick that manages to bring something new to the table, even if that ‘something new’ is minute. A fine example of this being Insidious.
Directed by James Wan (maker of such films as The Conjuring and Saw), Insidious didn’t revolutionize the genre or shy away from the mainstream. What it did do was put a new twist on the now conventional horror formula, making it a film that appeals to many different audience tastes without being polarizing.
Insidious stars Patrick Wilson and Rose Byrne as Josh and Renai, a couple who move into a new home in the suburbs. Soon after moving in their child Dalton (Ty Simpkins) tragically slips into a coma, and strange things begin to happen around the house. They quickly realize something supernatural is afoot, and enlist in the help of a parapsychologist named Elise (Lin Shaye). Elise informs them that their child isn’t actually in a coma. Rather, Dalton had an out of body experience that left his spirit trapped in a ghostly place she refers to as The Further. It is now up to them to save Dalton’s spirit from The Further before he is stuck there for good, and something more sinister takes his place.
A good horror flick doesn’t only lie within the bounds of its actors capabilities, but having performers that can convey the fright is always a plus. Wilson and Byrne lead the cast wonderfully here, perfectly portraying a distraught couple worried sick over the wellbeing of their child.
Their performances are complemented well by the addition of Lin Shaye about halfway through. What’s great about Shaye’s acting is that she seamlessly convinces the audience that the far-fetched sci-fi jargon is in fact genuine. Even those who are skeptical of science fiction in films will buy into the absurd rationale this movie relies on. Rather than jump the shark, Insidious somehow managed to slide under the shark.
The frightening sequences in the film are quite tactfully employed, mixing inventive and clever ideas with more conventional methods. We get the quick, one and done jump scares that many moviegoers love, but also see plenty of built up moments that get big payoffs. There are even scenes that don’t have any sort of payoff, but are authentically creepy because of the eerie atmosphere that’s created.
The eerie atmosphere is mostly due to the aesthetics of the Further, which are distinct and artistic without looking too forced to be that way. This creepy imagery is accompanied with a truly fantastic musical score that managed to intensify a lot of the more suspenseful scenes.
Again, Insidious didn’t subvert the genre or change the game completely, as we still get plenty of terrible horror films today (like the fourth installment of this franchise). What I believe Insidious (and its creative contemporaries) did accomplish was to pave the way for other mainstream horror flicks to get imaginative, so to speak. Films like Lights Out and The Conjuring have received critical and box office success since the release of Insidious, and both ride the line of conventionality too.
I hope to see more inventive and fun horror films in the future, especially from the Insidious director James Wan.
The Verdict: A-