The Strangers: Prey at Night is an earnest attempt to make a fun and effective horror flick, unlike many cheap studio products of our time. Sadly this genuine attempt at scares is thwarted many a time by the lack of understanding of how to successfully craft a movie.
You know the story. A family wrapped in turmoil is trapped in an isolated trailer park with three masked individuals hunting them down just for the thrill of it. The family proceeds to fight for their lives for approximately one hour, all of this resulting in a deadly bloodbath.
The cast was well-picked and gave strong performances all around, despite portraying the stereotype characters that audiences stopped caring about years ago. And of its precious eighty-five minute runtime, the film spends an incredible amount of time developing these characters. While characterization scenes like this are often throwaways for scary movies, here it’s refreshingly purposeful.
Many scenes within The Strangers served no purpose whatsoever, and many shots lingered for way too long on nothing of importance. Instead of being intense and scary, it was more a scattershot of scenes that were either too fast-paced or excruciatingly slow.
Not helping The Strangers odd situation was its soundtrack, which was the very definition of a hot mess. Using a mixture of 80’s hits and original score, the music was so bombastic and in your face that it kills any sort of mood or style that the film was trying to establish. The opening title card has this very eerie music and tone to it that I found intriguing, but then the film cuts to a suburban family packing up their belongings to go on a trip and yet continues playing that creepy music. Where’s the consistency? What sense does that make? And this isn’t just a minor forgettable instance, as the film is full of these inconsistencies. Almost every scene where a person is killed or stabbed has an upbeat tune playing loudly in the background, which was so on the nose it became off-putting. The upbeat music contrasts with the frightening imagery, we get it.
The Strangers still leaves us on a strong note, going the extra mile into territories of excess and outrageousness, including a rather strange nod towards The Texas Chainsaw Massacre at the end. It certainly off-sets the preestablished “realism” the film had, but nonetheless it was still one of the more exciting bits it had to offer.
The Strangers: Prey at Night is the most frustrating kind of film, one that has lots of misguided potential. It wants to be a slow-moving, tense horror film with characters the audience will care about; yet has a loud soundtrack, uneven pacing, and an ending that, while enjoyable, goes too far off the rails for the mood it was trying to set. The filmmakers clearly confused an excessive soundtrack an unnecessary lingering shots with suspense. And in a film like this, that’s an unfortunate concept to mix up.
The Verdict: C-