With the simple tagline of, “If they hear you, they hunt you”, actor John Krasinski (The Office) stars in and directs the new hit thriller A Quiet Place.
After some indescribable, extraterrestrial event, Earth becomes ravaged by a race of monstrous creatures with no ability to see but possess supersonic hearing. Those still alive, including the Abbott family (made up of John Krasinski, Emily Blunt, and various child actors), have learned to adopt a nearly silent lifestyle. This involves complex, sand-laden trails, using sign language to communicate (which is to the Abbotts’ benefit since their daughter is already deaf), and even marking spots on hardwood floors that creak the least. In a world where coughing could mean imminent danger, how long can the Abbott’s’ survive?
The way A Quiet Place presents its simple plot and contextual information is a bit passé, and panders to viewers with no concept of subtlety. Rather than showing us how the monsters are deaf and nearly indestructible, the film tells us with overused tropes. Like the overreliance of old newspapers to convey past events. A Quiet Place even resorts to showing the audience a dry-erase board of notes Lee has in his basement, which outlines everything the viewer should know by that point in time. The only way the film would’ve been more on the nose is if John krasinski looked directly at the camera and read the script.
I found this quite strange because everything else in the film was conveyed through the actions of our protagonists, as it should be. Krasinski, Blunt, and all the child actors gave incredibly expressive performances, capturing their struggle of survival very well.
For this reason, moviegoers don’t need spoon-fed exposition, especially when the excellent performances are already communicating everything necessary. Spelling out details you already visually told the audience is needlessly handicapping the storytelling capabilities of your movie, as well as treating me like an idiot.
Other than the first major scare of the film (which introduces the terrifying monsters that will inhabit the rest of the flick), many of the scares were accompanied by the typical Hollywood trope of a loud and obnoxious sound. Frequently used as a lazy tactic to startle rather than scare the audience, even smart horror movies like A Quiet Place fall into the trappings of their inept peers.
There’s one moment that I found particularly frustrating where Evelyn (Emily Blunt’s character) becomes injured in the basement. After alerting her family that she’s in danger, Evelyn limps over to the staircase where she is surprised by the sudden appearance of a monster. This is a perfect setup to frighten the audience. Our complete and undivided focus is on the already injured Evelyn, and not about the possibility of a well-timed scare.
Yet, to my dismay, this scare is accompanied with a loud screeching noise, one that was inessential to the scene. What was supposed to make me fearful and uneasy of the coming moments just angered me instead.
Thankfully the film switches its gears about halfway through, turning into an intense thrill ride full of real tension and horror. No more sudden jumps accompanied with a loud pang of music. We alternatively get tense moments that effectively unsettle and excite the audience, both with strong payoffs.
My few issues with the film aren’t to say that I disliked A Quiet Place, as I found it to be a vastly entertaining and clever modern horror flick, albeit a few self-handicapping aspects that held the film back from being anything more. The most powerful aspect of the film was definitely when the climax hit, where the film turned into a nonstop thriller with great tension in each scene. The performances were all around fantastic, further displaying the acting range (and directing capabilities) of John Krasinski. The central topic (or gimmick, if you will) of A Quiet Place reminds me a lot of the 2016 horror film Don’t Breathe, both of which I believe utilize this concept to the best of their ability.
The Verdict: B