Skyscraper Review: Dwayne Johnson With a Vengeance
Dwayne Johnson’s new action flick Skyscraper is a hard movie to put a finger on. I guess it’s best summed up by the following two words: ridiculous and inconsequential.
As many have pointed out, the plot of Skyscraper mimics the basic formula of Die Hard: action guy (Dwayne Johnson) in tower fights European terrorists in order to save family (his wife being played by Neve Campbell). The plot attempts to get deeper than this, but overall it doesn’t stray from this premise.
Several obvious MacGuffins, Deus ex Machinas, and other overused tropes make Skyscraper a painfully standard action movie. It borrows every last detail from other films that have already done these ideas much better. It’s sterile, Hollywood green screen look is matched only by its lifeless acting and countless inconsequential scenes.
A character will double cross Johnson, only to be killed moments later. Johnson will be seriously wounded and must perform first aid on himself, only to be perfectly fine in the following scene. Someone pivotal to the story will be introduced into the film, only to be forgotten entirely.
In the end it’s all filler gunk that has no real impact on the convoluted and not well-thought-out plot.
As strange as it is, there were multiple instances where the film set itself up for some great foreshadowing. Particularly the opening scene (where Dwayne loses his leg) and the climax (the final showdown with the villain), both of which were formatted similarly. So similar in fact that I hoped they’d make an insightful comparison to the two scenes, maybe about how Dwayne had grown as a person and wouldn’t make the same mistake twice. But no, they squandered that potential too. They instead try and top the memorable ending to Die Hard by adding in a death scene so corny, so over the top, that I couldn’t help but laugh hysterically.
One of the most astonishing mistakes that Skyscraper flaunts happened whenever Dwayne would leap off a ledge and catch himself safely on the other side. You could actually see his hands completely miss the ledge in the first shot yet cut to him magically catching the ledge in the next. It may sound minor, but this little goof-up is basic editing that the makers of Skyscraper carelessly neglected.
The sloppy editing was incredibly consistent, becoming the biggest nuisances of the film. Action scenes were choppy and often not very satisfying to watch. What’s worse is sometimes the screen would go dark during intense fighting sequences, which coupled with the bad editing made Skyscraper an incoherent mess.
The most enjoyable part of Skyscraper is just accepting the nonsensical nature of the film and watching Johnson live through the impossible. Leaping off exploding buildings, hoisting himself up by thin pieces of rope, defying gravity, Dwayne Johnson is probably the most impermeable action hero I’ve ever seen.
Nevertheless, even this easygoing mindset had its limitations.
Ultimately my feelings towards Skyscraper are ones of confusion and amazement. 125 million dollars spent on a cheap Die Hard knock-off with terrible editing, so-so effects, and a cheesy script. And for what purpose? I refuse to believe for a second they thought this could make its money back. Dwayne Johnson can bring in a lot of money (as we’ve seen with Rampage and Central Intelligence), but there’s no way he can save this film.
The Verdict: D