Seeing as Disney didn’t get the memo sent by the writers of Tomorrowland, that when you write a film that’s too universally idealistic and preachy it loses any sense of realism to viewers, they made the same mistake again. This time with the fantasy/adventure movie A Wrinkle in Time.
The film stars Storm Reid as Meg Murry, a self-conscious young girl whose scientist dad (Chris Pine) went missing four years ago (after all, it is a Disney movie, at least one parent must be gone or dead). Her father had been working on something called the tesseract (no he’s not an Avenger) that allows you to travel through space and time. And through a string of events I still don’t fully understand, Meg meets three astral travelers (played by Oprah Winfrey, Reese Witherspoon, and Mindy Kaling) who inform her that her father is alive and needs her help on a distant planet. Meg then goes with the three travelers on a journey of a lifetime to save her father and bring him home.
Sadly for A Wrinkle in Time, the only halfway decent performance came from Gugu Mbatha-Raw, who was barely even in the movie. Everyone else was either mugging for the camera or just acted too ridiculous to take seriously. I refuse to believe the actors and actresses are solely to blame, as the writing hardly served as a platform to work off. Most of these characters didn’t have defined personalities or motivations, and some didn’t have any reason being in the film at all.
Aside from the main cast, characters seemed to drop in and out of the film haphazardly, with no driving force moving the plot forward. Meg’s younger brother Charles Wallace is who introduces us to the three traveling Mrs., yet it’s never explained how he knows who they are or where he met them in the first place. And while information like this is pertinent to convey to the audience, they choose to instead spell out the obvious with on the nose backstory’s that we already understood.
Even the special effects, which are usually showcased in these kinds of fantasy/adventure movies, were subdued and hidden. It was as if they were so embarrassed of the end product that they purposely held back on the FX when they stitched the film together in post. Moments that should’ve been visually awe-inspiring and magical were incredibly lackluster and unconvincing.
One of A Wrinkle in Times many morals it tries to convince the audience is that your flaws and imperfections make you who you are, and that everyone has their faults. A good, genuine message for kids. However, the protagonist Meg is written too perfectly and altruistically to the point where she has no real character flaws herself. All this making her an impossible person to relate to.
The other messages have the same effect. You create this oversimplified world where all the woes of humanity are boiled down into this one evil entity. It goes so overboard in so many ways that I couldn’t take any of it seriously. I think kids would appreciate a simpler, well thought out message (like the one about self-esteem and self-efficacy) over some ham-fisted hippie morals.
I can’t really tell whether A Wrinkle in Time’s themes were incompetently well intentioned or hippy-dippy propaganda meant to manipulate kids rather than inspire them. Regardless of the intent, the film was a boring mess of half-baked ideas and lamely written characters. I’d like to conclude this review with a little quote of my own for Mrs. Who to use:
“This movie sucks.”
-Zachary Flint, American
The Verdict: D-