Next on Disney’s extensive list of remakes and reboots, we have the reimagining of Winnie-the-Pooh and friends titled Christopher Robin.
Arguably the most original of the bunch, Christopher Robin details the later life of Christopher (Ewan McGregor) after a series of significant events have left him without joy. At his absolute lowest point, Christopher receives a surprise visit from, who else, his childhood buddy Winnie-the-Pooh (Jim Cummings). Pooh takes Christopher on one last nostalgia-filled adventure through London (and briefly through the Hundred Acre Wood) to rediscover the priorities and simple pleasures of life.
A harmless, well-intentioned story with a lot of heart and meaning behind it, Christopher Robin doesn’t deliver quite the quantity of fun I was hoping for.
The film puts a little too much time and emphasis on developing the gloomy and sometimes dark world that Christopher lives in, and never really puts in the effort to pull us out. Within the first half hour we see Christopher grow up, go to war, neglect his family, and put into a business situation where he will have to lay off many employees. We don’t even get to the Hundred Acre Wood until half-way through the picture, and even that gets to be depressing.
It’s well understood what the film was going for. We all face the unfortunate realties of work, war, and other tragic aspects of life, and having the innocent Winnie-the-Pooh show us the levity of simplicity is an excellent idea. I just don’t believe the film hits the intended mark as it should. These darker moments could’ve been conveyed more concisely, and the fun live-action scenes were sloppy and without the humorous style of the source material.
I don’t mean to sound as though this were some loathsome bore-fest, as there were several great aspects that made the film worth seeing.
Having Ewan McGregor as Christopher Robin was a wonderful decision, and his interactions with Pooh, Tigger, and so on felt genuine and real. We see him juggle between family and work and can feel for him when he’s forced to make tough decisions. Christopher has people counting on him everywhere he looks, and sometimes it seems that there’s no time for games in life. As is typical with McGregor’s performances, all these traits are portrayed to the audience with the conviction can care of a true professional.
And even with Ewan McGregor at the helm (one of my personal favorite actors), the story is undoubtedly held together by our favorite silly old bear Winnie-the-Pooh. Every minute with Pooh on-screen is a pure joy, and his kind-hearted jokes and curiosity were always met with uproarious laughter. The warm personality of Pooh is precious and delightful, enough to make the dreary environment of post-war London amusing to the viewer.
I just wish the tone of Christopher Robin matched the pleasantness of our Hundred Acre Wood favorites. Or is that too much to ask for?
The Verdict: C+