Isle of Dogs Review

After the critical success of his 2009 film Fantastic Mr. Fox, Director Wes Anderson decided to give animation another go with another smashing hit titled Isle of Dogs.

In a (hopefully) distant future, dogs have become the societal scapegoat of Japanese culture. Suffering from overpopulation, dog flu, and numerous other ailments, the Japanese government chooses to exile all dogs in the country to Trash Island. A very literal name for an island formed completely out of garbage.

Here we enter the twelve-year-old orphan Atari Kobayashi (Koyu Rankin), who manages to travel to the island in search of his banished dog Spots (Liev Schreiber). Along his journey Atari meets a gang of dogs on the island, led by a particularly stubborn dog named Chief (Bryan Cranston). As Atari and his new friends attempt to locate Spots, they must avoid capture by the Japanese government, who seeks to end the canine problem once and for all.

Everything about Isle of Dogs is in some way fast-paced. The quippy jokes, bizarre exposition, and hasty story all come shooting at the viewer like lightning, surely catching many by surprise. Even the speed of the animation itself felt like someone backstage hit the fast-forward button before the film began. All the characters move with such immediacy and deliberateness that it captivates the viewer almost automatically.

This is in no way a hindrance to Isle of Dogs and is in part why this film works so well. The quickly dished out jokes give it a distinct, dry sense of humor; and the exposition is rushed simply because there’s so much to get through. Nonetheless, it doesn’t throw you through a hoop and the backstory is actually quite fascinating.

The rapid animation, coupled with Wes Anderson’s unique style and imagery, keeps the story moving in even its slowest points. While Isle of Dogs is mostly stop motion, many of the shots are set up to appear on a two-dimensional plane. And when the camera and characters do slow down, it nicely emphasizes that the scene you’re watching is important. Usually this is done to build the relationship between Atari and Chief and is actually very effective.

So, with that in mind, it isn’t hard to believe that the characters that inhabit Isle of Dogs are incredibly memorable. Each with a unique voice performance from many prominent actors and actresses. A few of the most noticeable voices were Bill Murray, Bryan Cranston, and Edward Norton, who all acted so delightfully you’d have thought they were born to voice a bunch of dogs.

This canine dystopia is, first and foremost, intriguing fun. Telling a heartwarming story about man’s best friend and poking harmless fun at totalitarianism all in the process. The minimal use of music, clever storytelling, and crystal-clear vision of Anderson make for an unforgettable film experience.

I had an exceptionally great time watching Isle of Dogs and will surely return to watch it again.

The Verdict: A

-Zachary Flint

It Review

The choice to remake a popular horror film is far from a new concept. And with Hollywood’s recent drought of creativity, the horror genre has become stale, boring, unexciting, and lacking any passion from the filmmaker’s end. Occasionally something unique will slip through the cracks (It Comes at Night comes to mind), but more often than not we get unoriginal slop (Poltergeist (2015), Rings, Annabelle, and so on).

So, when I heard we’d be getting another film of Stephen King’s It, I was fairly certain that It would fall victim to the same level of incompetence as its peers. Yet, in a surprising turn of events, just the opposite occurred. Rather than getting a boring, run-of-the-mill remake, moviegoers are being treated to a highly appealing horror flick with a terrifying antagonist and talented cast.

Set in the quaint town of Derry, Maine, an evil entity preys upon the fearful youth. Often appearing in the form of a clown named Pennywise (Bill Skarsgard), this entity awakens every twenty-seven years to devour the children of Derry. However, when some of the neighborhood children (labeled as the Losers’ Club) band together, their friendships and fears are put to the ultimate test. Facing off against an evil force with power unlike anything imaginable.

It was delightfully scary in the utmost creative and unexpected ways. The film went with a mix of tension building, creepy moments, as well as quick jump scares that are followed by loud spikes in the sound. The jump scares were pretty standard and didn’t get the strongest reaction from audiences. The scariest scenes of It were when the film took its time building suspense through creepy imagery, all leading up to great payoffs featuring Pennywise the clown (whose eerie demeanor completely stole the show in every sense of the word).

Not only a terrifying horror flick, It contained a clever narrative on the struggles of teenage adolescence. Each character in the film was dealing with some sort of real life dilemma, such as a hypochondriac parent, grief, and child abuse. This not only gives our unlikely heroes motivation, but makes them feel all the more genuine, resulting in the audience connecting with them more. Even the stereotypical bully, a character whose writing I was fully prepared to loathe, had a tragic backstory that gave him more depth.

The dialogue and personalities of the child actors reflected how young kids might actually behave. Incredibly foul-mouthed and crude, they felt less like Hollywood twerps and more like normal everyday children.

While a few characters here and there could’ve had a little more time devoted to them, I’m really stretching to find issues. The reality is that It is a fantastic work of fiction, with dedicated filmmakers striving to make a movie that entertains viewers. With plenty of grotesque scenes, memorable performances, and a great use of camera angles, I think there’s enough here for just about any horror fan to be completely satisfied.

The Verdict: A

-Zachary Flint