Daddy’s Home 2: A Ho Ho Horrible Holiday ‘Comedy’

Daddys Home 2 follows the occasionally used formula of turning a comedy sequel into a holiday escapade. An almost always disastrous decision (just look at A Bad Moms Christmas), it will surprise no one to hear that Daddy’s Home 2 is a comedic flop. With the first Daddy’s Home being a mediocre and forgettable comedy, this installment had no intentions whatsoever in surpassing it.

Will Ferrell plays his usual man-child schtick, and Mark Wahlberg plays a tough guy. Together they co-parent a set of forgettable child actors, who are disappointed they always must do two Christmases. That’s when Ferrell and Wahlberg get the bright idea to do a joint Christmas, as well as invite both of their dads in on the excitement. Their dads unfortunately consist of Mel Gibson (a stereotypical racist) and John Lithgow (a mirror image of Will Ferrell). From here, wacky and predictable hijinks ensue.

The only clever bit in the film involved a below the belt jab at Liam Neeson and his typical style of movies. Apparently in this universe, Neeson starred in a terribly bloated action film called Missile Tow (Get it!). From my guess, this is some kind of holiday version of Taken or Non-Stop. Pretty humorous nonetheless.

Daddy’s Home 2 suffers from the same ailment as every other bad comedy. That being, it’s not funny. It’s constantly caught between trying way too hard to be comedic and not trying at all. Sometimes there are moments of slapstick humor that are painfully long, and at other times there are scenes where I’m waiting for a punchline that never comes.

And by the end of Daddy’s Home 2, few of the characters went through any sort of change or revelation. They’re all still horrible people, yet the film accepts this and just decides to end on a poor note. Nothing is gained from watching it. In fact, all Daddy’s Home 2 really did was shine a spotlight on the limitations of these actors and actresses.

There was one particular scene in the film that really rubbed me the wrong way, and I think it really captures the mentality of Daddy’s Home 2. It’s when the entire cast gathers at a movie theater towards the conclusion of the movie. Will Ferrell’s character stands up in front of a crowd and makes a comment on how everyone came to the theater with someone they love. Except, of course, one man in the back, who came to the movie alone on Christmas. Will Ferrell then makes a passing remark on how this man is sad, and somewhat pathetic.

Well, movie, Christmas for some isn’t so joyful, and is quite lonely and depressing. So, when you make a shoddy, low-quality, unfunny, sloppy joke such as that, you come off as a huge dick.

Bottom line, this movie sucks.

The Verdict: F

-Zachary Flint

The House (2017) Review

If you’ve ever wondered how a film could perfectly squander the acting talents of two A-list movie stars, then look no further than The House.

The House stars Will Ferrell and Amy Poehler as Scott and Kate, two parents trying to send their daughter Alex (Ryan Simpkins) to college. With very little money to do so, Scott and Kate reluctantly decide to open up an illegal casino in the basement of their good friend Frank’s (Jason Mantzoukas) house. As they quickly become absorbed into the Vegas-esque lifestyle, Scott and Kate soon realize the bit off way more than they can chew, with angry councilmen, dim-witted cops, and even gangsters hot on their trail.

The most unfortunate aspect of The House isn’t its poorly paced plot or the abundance of shoddy scenes that go nowhere. No, the worst part of this entire picture happened to be the shockingly lousy performances of Will Ferrell and Amy Poehler, who were given too much free rein in their acting. It was as if they were both put in front of a camera and told to “be funny”. This decision to use improvisation resulted in horrible comedic timing, with many awkward pauses that constantly broke up the dialogue.

The one saving grace of The House that rescues it from being a complete failure in comedy, is the arrival of Jeremy Renner’s character. Renner played a mob boss whose behavior matched the nonsensical tone of the film much better than anyone else. The few scenes Renner was involved with are downright over-the-top and ridiculous, which actually got some laughs from the audience. Even though his presence in the film was short-lived, his character was infinitely more entertaining than Ferrell or Poehler.

The House could’ve been a much more successful comedy, had it only embraced the absurd nature of the premise (and stuck to a more focused plot). The moments where Will Ferrell is chopping off fingers and Jeremy Renner is getting set on fire are hilarious, but make up only a small sliver of the film. Most of the time the audience is subjected to embarrassingly stale humor from actors that deserve a better vessel to showcase their talents.

With overwhelmingly bad direction, crummy plot pacing, and lots of wasted potential, The House is a film that audiences will be quick to forget.

The Verdict: D

-Zachary Flint